The Convento da Saudação — the Convent of Nossa Senhora da Saudação, also known as the Convento da Anunciada — stands within the walls of Montemor-o-Novo Castle, and is considered the monument of greatest artistic value in the town.
The convent has its origin around 1500, when a group of women, led by Joana Dias Quadrada, gathered to live a life of devotion; in 1506 they adopted the rule of the Dominican order. The building works began around 1502. It served for centuries as an enclosed convent, and later as a shelter for children. Its main façade keeps architectural elements of the time of its founding, including an armillary sphere — an emblem of King Manuel I — over the entrance.
Within are fine Joanine cloisters, dating from the time of King João III, along with tile panels and frescoes in the lower choir. The convent is classified as a National Monument and today serves as a cultural space, hosting exhibitions, music, dance and theatre; the interior is usually visited during such events.
Highlights
- Sixteenth-century convent within the castle walls
- Considered the finest monument of Montemor-o-Novo
- Founded around 1500, Dominican from 1506
- Joanine cloisters from the time of King João III
- An armillary sphere of King Manuel I over the entrance
History & context
The Convento da Saudação had its origin around 1500, when a group of women led by Joana Dias Quadrada gathered for a life of devotion; in 1506 they adopted the rule of the Dominican order. Building works began around 1502. The convent served for centuries as an enclosed Dominican convent, and later as a shelter for children. It keeps Joanine cloisters from the time of King João III and an armillary sphere over the entrance, an emblem of King Manuel I. It is classified as a National Monument.
Frequently asked questions
What is the Convento da Saudação?
It is a sixteenth-century convent within Montemor-o-Novo Castle, considered the town's finest monument, now a cultural space.
Can you visit the convent?
The convent is a cultural space hosting exhibitions and performances; the interior is usually visited during such events.
What is notable about the building?
Its Joanine cloisters from the time of King João III, tile panels and frescoes, and an armillary sphere over the entrance.
